As Mays sings "I'm smart enough to know you have no use for me," there's little to prevent the onslaught of chills. Harshe's piano on the second version of "Story Musgrave" is a major stunner. Dana Marshall's underrated drums are at their most dynamic, Sue Harshe's Rickenbacker bass is graceful and thick, and Marcy Mays' Wire-meets- Cheap Trick guitar lofts countless catchy riffs. Marcy Mays - Always Late truxrk 267 subscribers Subscribe 14 Share 2.3K views 11 years ago Marcy is the guitar player of Scrawl which is one of the greatest 90s U.S. The playing is as tight as ever, surely the result of constant touring. Two third-person stories set the table, doubling as highlights: "Good Under Pressure" illustrates a woman on the verge of breakdown and "The Garden Path" tells of another who burns her bridges in search of a new life. ![]() Marketed by Rhino Entertainment Company, a Warner Music Group Company. Best show I ever played: Probably a couple of them. It’s also the sense of the words to 11:59 It’s January, a slow song rerecorded for Nature Film, whose original version has a neat back story. The trio plays Saturday at singer-guitarist Marcy Mays' bar Ace of Cups alongside old friends Cobra Verde and the Tim Lee 3. Marcy Mays at Ace of Cups That’s the sense in the spare, repetitiveand yet exhilarating, existentially bracing structures of most Scrawl tunes. Without sacrificing the band's rough edges, Steve Albini's and Jeff Powell's recording and engineering give the band it's most polished sound yet, but it doesn't make their songs - still bitter, still pessimistic, still sad - suffer for it. Cadastre-se na Deezer de graça e ouça Scrawl: discografia, top músicas e playlists. Although her aggressive guitar work is dandy, Marcy Mays uncertain singing (joined in disharmony by bassist Sue Harshe drummer Carolyn OLeary completes the. Columbus indie-rock pioneers Scrawl have revved up activity lately, highlighted by an appearance at Afghan Whigs' New York edition of the All Tomorrow's Parties festival. Travel On, Rider is their most professional sounding record to date. New label Elektra wouldn't have a clue as to what do with them, but at least they could put Scrawl's records in more shops and provide a decent recording budget - therein lies the band's rationale. For this episode, we interview Marcy Mays (Scrawl Night Family Ace of Cups) and Shirley Tobias (bassist for Log, Radio 614 DJ Columbus Music Co-op). Regardless, who knows why a major label would sign a band whose minor chords and emotionally naked songs could never translate into unit shifting, but what the signing meant for Scrawl was better availability. ![]() The band had been shafted by most of the small-fry outlets that released them prior, and Simple Machines (which released Velvet Hammer and reissued Bloodsucker) were fans enough of the band to continue their support. ![]() The indie community's knee-jerk negative reaction to finding out about Scrawl's jump to a major was one of puzzlement. Marcy Mays and Sue Harshe - Come Back Then 2,852 views 80 Dislike Share Save The Mug and Brush Sessions 2.1K subscribers Marcy and Sue from Scrawl performing 'Come Back Then' from.
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